As discussed in my last post, many conspiracy theorists are trying to link the Aurora and Newtown massacres to Satanism. The video below is one of the silliest examples of this effort. It attempts to connect the dots among a perfume commercial starring Lady Gaga (a favourite target of Vigilant Citizen, and others who search for Illuminati/occult symbolism in movies, music videos, and TV commercials), the latest Batman movie, Aurora, and Newtown.
The major flaw with this approach is that any number of interpretations can be made of Lady Gaga's videos. They are artistic, dark, and more than a little twisted. Beneath the video, I've added my own interpretations of some of the imagery in the perfume commercial to show you just how easy it is to bring your own experiences and perceptions to the table.
The "Matrix-style surgical probe": This is actually just a light mounted on a flexible, snake-like tube. It does not enter the statue.
The black bodysuit: I doubt this is a nod to Catwoman. Gaga likes bodysuits, as evidenced by the white Where the Wild Things Are-inspired latex bodysuit she wore at the beginning of the "Bad Romance" video.
The "trooper hat": An old-fashioned ladies' picture hat, updated
The mirror: Clearly a reference to Cocteau's Orphée, in which Orpheus is transported to the underworld by stepping into a mirror with a liquid surface. We know that Gaga admires French culture; she speaks French at the beginning of the video for "Papparazzi". We know she likes classic film, because she references Hitchcock four times in a single verse of "Bad Romance". And I'm not the only one who sees a correspondence between Cocteau and Gaga - check out this fan video of her song "Bad Romance", set to scenes from Cocteau's Beauty and the Beast. We are not dealing with Satanism here. The black mirror is a straight-up homage to French arthouse cinema.
[I wrote the passage above before re-watching the mirror scene in Orphée. When I reviewed it, I realized Gaga was definitely, absolutely, beyond any question in the world, re-enacting it. Watch it yourself, and note how Orpheus and Gaga extend their arms and place their hands in the same position as they cautiously approach the mirror. Note, also, that Gaga hesitates before the black mirror, while Orpheus allows himself to be coaxed into his mirror by an underworld minion. Give her credit for that, at least!
Fun fact: While Gaga's mirror is CGI, Cocteau filmed someone submerging their gloved hands into a pool of mercury to create the shimmery ripple effect.]
"Portrait: Death of Children (ovum and sperm)": I don't see ovum or sperm in this image, so abortion doesn't come to mind at all. The gold jewelry Gaga wears reminds me of slime mold.
"Look how they prequel shooting children!": But there are no children in this scene. There is a CGI rendering of a metallic Gaga aiming a gun at a flesh-and-blood Gaga. I don't think the metallic Gaga represents a child.
The backmasking of Lt. Paul Vance: I closed my eyes for this portion of the video, and typed my own interpretation of the backwards words. Someone says, "Let us now...worst-dressed. Now. Worst." Then Vance says, "Excellent. Herb get it done initiate get some I said go. Said the wood A sauce throat dead Sarah the one with oss nitiate.get some mean you left paw. Nnnnasty deep blue knew it he blew it no [or know] me luck. Still when this window go in and out ffth with a maze Gazoo [or kazoo] with your breath. With your breath a syndrome go pull out the waw never been there rash knees bucksters soreth give [gibberish that sounds like "Mickulick"]. Judith or a nay she not pay up.
So from this we can determine that Paul Vance is owed money by a woman named Judith, has an accomplice named Herb, and may or may not like The Flintstones.
As for production designer Nathan Crowley being related to the infamous occultist, Aleister Crowley was, as Nathan told the Art Newspaper in 2008, his grandfather’s cousin, but Nathan was "never allowed to even mention his name because we were a very Quaker family.”